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Topics - CWazyTom

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511
Tara McNeill / Tara's Talents
« on: April 27, 2018, 10:57:41 PM »
Tara is one talented lady.

She can sing. She can play violin, harp, and piano. She can dance.

Like I told her at the Meet and Greet, she has a rare talent for making us smile, no matter what's going on in our lives ( or anywhere Across the World  ;) ).

But she also does accents!

Here's Eabha's Instagram story, featuring Tara (and one of their many talents) as the girls try to order a pizza  ;D

Part 1: https://streamable.com/fnys7

Part 2: https://streamable.com/njzwe

It would be awesome to hear Tara and Chloë carry on a conversation in their 'Bama and Valley Girl accents respectively.

512
Chloe Agnew / Basel Tattoo 2015 (Live)
« on: April 23, 2018, 01:21:29 AM »
Most of us have probably seen the spectacular videos of Chloë from the Basel Tattoo:

The Prayer:
https://youtu.be/b16zxW6DGoM

Band of Brothers:
https://youtu.be/9NExnB85RiM

It Will Be:
https://youtu.be/BL1rkfmfXN0

Apparently you can get the live album too (or individual songs from it):
https://itunes.apple.com/ca/album/basel-tattoo-2015-live/1047863019

It's a bit of a long-shot, but does anyone have the physical album of the Basel Tattoo show that features Chloë? If so, does the CD insert have pictures of Chloë in it?

513
Caranua / Brahms' Lullaby (Lynn Hilary)
« on: April 23, 2018, 01:08:22 AM »
Did anyone know about this?

Brahms' Lullaby
Jason Tonioli featuring Caranua and Lynn Hilary
https://itunes.apple.com/ca/album/brahms-lullaby-feat-caranua-lynn-hilary-single/1370675405

514
Chloe Agnew / Chloë live on Notre Dame Day
« on: April 22, 2018, 09:55:27 PM »
Chloë was live on Facebook on April 22, 2018 for a mini-set on Notre Dame Day.

Here's the video on Facebook:
https://www.facebook.com/ProudtobeND/videos/1718792314872777/

It's about 30 minutes long and Chloë performs 5 songs, including one of her own (not one of the brand new ones, in case you're wondering).

The piano accompaniment was great and of course, Chloë's performance was full of feeling and power.

Enjoy!

515
HomeComing on Tour / Tunes from Tara's Tunes
« on: April 21, 2018, 04:52:29 PM »
Tara's Tunes from the Homecoming tour was great!

Here's another link to the video if you haven't seen it yet:
https://youtu.be/uo2JoAYR0Fk

It sounds like there's 3 separate tunes in there.

They all remind me a bit of Across the World.

My favourite is the third one.

My question is: what are those individual tunes from Tara's Tunes called? Are they all covers? Are there any brand new ones in there?

516
Voices of Angels / Voices of Angels Tour show recap (April 4, 2017)
« on: April 21, 2018, 03:02:39 PM »
I saw Voices of Angels on April 4th (2017) in Kitchener!

Here's an excerpt from the original post on April 8, 2017...




Before the Show:

I handed out some free forum buttons to 50 or so lucky people at the box office. I'd say most people were surprised and thankful (some uninterested). Considering my poor skills as a salesman, I'm glad they were free. I wasn't sure if the venue would appreciate free stuff being handed out when there was merchandise at a price inside the gate, but I managed to hand them out until all my guests arrived (a few minutes before the show) without getting confronted by security, so that was fortunate.


The Venue and Seats:

The venue was nice, though not particularly spectacular.

The first 4 rows or so were reserved for people that bought subscription tickets to a series of 4 or 5 different shows at the venue. Given I had people with uncertain schedules coming from out of town to see it and they weren't interested in the other shows, I waited until single-show tickets were available to the general public about a month after the subscriptions were. I logged on the minute tickets were available to the general public and got seats in the 5th row to left of the stage from the girls' vantage point. The seats were comfortable and there was plenty of room in front and behind the seats for people to walk.


The Crowd:

I'd say the auditorium was about half full (about the same as the Destiny show in Detroit, but definitely not as full as the Home for Christmas show in Saginaw, MI). I knew going in it was going to be half full because I checked the ticket vendor's site the day of the show.  ;) What was really disappointing (and I'll go so far as to say offensive to both me and the girls) was the first 4 rows of people were about 75% empty. Sure, some people just couldn't make it, but the percentage unfilled seats up front was so high...a lot of them probably bought subscription tickets to other shows they were interested in seeing (ie. Annie or Elf, perhaps) and had no particular interest in the Celtic Woman show.

I was glad I was close enough to the stage so the girls could see me and there was nobody blocking my view, but I felt so bad for the girls. They deserve so much better. I doubt the tour will be back here given the poor turnout.

Before Isle of Hope, Eabha said a few words about how many people immigrated from Ireland to "right here, in the United States..."  :D  I guess people giggled or gasped under their breaths if at all, because the audience (in Canada) seemed very respectful of the slip of tongue. Eabha may have realized it right after she said it and but if she did, she just covered it well and moved on. :D

There was apparently some confusion about whether or not people could take pictures. I specifically asked two ushers before the show if we could: we could take pictures, but no flash and no recording. A person next to me didn't ask beforehand and assumed pictures were not permitted. That individual was also vocal during the show about her displeasure at me taking pictures and how it was disruptive to the rest of the audience. If you've seen my pictures on Facebook, you'll note there were a bunch of songs I just didn't get any photos for near the end of the first act. That's why. The individual also told the usher during intermission about it and I guess found out at that point that pictures were allowed. The person sitting next to the person chewing me out of taking pics apologized on that person's behalf before the 2nd act and I apologized if the camera was disruptive. Anyways, for the second half, I switched seats with someone further down the row because I just wanted to distance myself from that mess.

The crowd was appreciative if not exceptionally enthusiastic. There were only standing O's for the last 2 songs, but none of the others, but the applause at the end of the show was pretty exuberant. The percussion number and The Kesh Inn really got the crowd into it. There were a few people clapping along during Across the World, but definitely not the whole audience. Maybe they were just enjoying her playing too much and wanted to hear her instead of clapping ( or maybe they couldn't keep up with her ;) ). I'd say the crowd was more into it than the HfC in Saginaw or Destiny in Detroit. It wasn't bad.

The girls were really appreciative of the crowd. They seemed genuinely touched at the end of the show. ::)



The Show:

I thought the set list had a lot of variety and energy. It got off to an epic start, with my favourite Voices of Angels track, Mo Ghile Mear!

There was some recorded orchestration to help fill out the songs, but it was less overpowering than it was at times during the album. I thought the combination and balance of live instrument backing and orchestra recordings was fairly good. I didn't really notice it, so it blended in well and didn't distract from the girls.

The stage design I thought wasn't anything spectacular, but I did like the little platforms that extended from the center of each level of the stage. Those served as points of visual interest at appropriate points in the show.

I barely noticed the images on the video screen at the back of the stage, honestly. I was fixated on the girls and their unparalleled talent. If they do another "name that song" contest on Facebook that involves identifying a song based on what was showing behind it on the screen, I'm not going to have much of a chance.

Goodness, those dresses were spectacular!

My Heart Will Go On I found even more enjoyable live than I did on the album. They developed the harmony a bit more in the first three quarters of the song and at the end.

The Kesh Inn was a really fun song featuring the band and Tara.

She Moved Through the Fair was a bit different than I was expecting. The parts on the album where Susan did that soothing, goddess-like humming was replaced with an instrumental segment of the same tune, which Susan danced too. It did seem a bit out of place for both the song and the rest of the show, but I didn't mind since it helped Susan show off another one of her talents.

I loved that Tara got to play both the violin and the harp. She didn't get to sing, but maybe some day. She grinned at me a few times, which penetrated right through my brutal cold and warmed my heart.

Ave Maria was among the highlights. I love that Mairead Carlin got to let her voice soar in this show. It was one of the best renditions I've heard. Watching her perform it live was even more impressive! She has ridiculous range and power! Time to Say Goodbye breathtaking as well.

I loved Eabha's Sean-Nos song! It was different and the second half of it was really fun and catchy.

Tara was such a joy to watch again! She's incredibly talented. She moved around the stage pretty well too and the super-adorable little expressions she made with her face made her performances even more enjoyable.

The Parting Glass Given the Believe/Emerald arrangement of this song is my favourite song and given my unexpected initial reaction to Amazing Grace and You Raise Me Up on the album, I was a bit worried about this one. Fortunately, my fears were totally misplaced. This was a pretty different arrangement, more along the lines of the traditional arrangement than the Classic Celtic Woman arrangement. But it still accomplished its goals perfectly for me. It was a bittersweet rendition, filled with wonderful harmony, overwhelming sadness (because of the show's swiftly approaching conclusion), yet a powerful sense of satisfaction.


After the Show

[EDIT] After the show, I tried both a stage and greet and a bus and greet. In the original post, I rambled on for a while about my unsuccessful and stressful attempt. I got a bit unlucky with the venue layout and a particular highly-unsupportive person with me who will remain nameless. This particular experience caused quite a bit of damage though and I'd be reluctant to try it again without a group of people there who have done it a lot (successfully) before.


Overall Experience

I really enjoyed Voices of Angels. The girls were practically flawless (as usual). They each sounded great and sounded great together. My guests enjoyed it too! Most of them were seeing Celtic Woman live for the first time and some weren't even fans before the show. Now they can tell their family and friends and Celtic Woman's sphere of love will grow!

Thank you to everyone involved in the show. The leading ladies get and deserve a lot of the credit, but the band, choir, and everyone behind the scenes that makes this show special deserve a round of applause for the wonderful work they do.

517
Eabha Photos & Graphics / Favorite Eabha Pictures
« on: April 21, 2018, 01:00:24 AM »
I love this one of Eabha in her beautiful blue Homecoming tour dress, off in her special place from which her music draws its strength, enchanting the audience with her voice. <3

https://www.instagram.com/p/BhnnRJoArEW/?taken-by=eabhamcmahoncelticwoman


518
Mairead Nesbitt / Devil's Bit Sessions (album)
« on: April 18, 2018, 07:38:46 PM »
In the fall of 2016, Mairead Nesbitt let us know she was working on a family album, Devil's Bit Sessions:

https://www.instagram.com/p/BLQhgCRAQBQ/

The album released on June 30, 2017.

Here's a nice review of the album:
http://www.irishmusicmagazine.com/releases/releases-august-2017/



Here's my own "review," originally posted on May 4, 2017...



Mairead's family album "Devil's Bit Sessions" became available to download today on PledgeMusic! I downloaded it as soon as I got home from what had been a mentally exhausting day at work.

Mairead's new family album was just the thing to cheer me up!

I really enjoyed it!

The album consists of 19 traditional irish music tracks. It features Mairead and her and her family and spans 3 generations of music. It was recorded at her family home and apparently over the course of a weekend. It's a little less than an hour in length and as advertised on her PledgeMusic page, it includes chats, laughs, and a 'Bit' of history. ;)

The songs are pleasant-sounding and upbeat. It's head-bobbing, toe-tapping fun! There's not a track on the album I didn't enjoy.

I was pretty impressed with the sound quality they got out album considering it was recorded at home rather than in a studio. I wonder if the "Tracks and Paths from Devil's Bit Sessions" (the "making of" mini-DVD exclusive to pledgers) explains how they pulled it off.

Some songs, including the first one, include Mairead and her family chatting and sharing stories about the song they performed. It had been a while since I read the description on the PledgeMusic site, so I'll admit I was a little surprised at the end of the first track when they started talking.

Storytelling is a key aspect of Irish music. While the music itself often does the storytelling, I thought the discussions contributed to the family atmostphere of the album and enhanced the overall experience. Enjoying music together at home as a family has been important to Mairead and is part of Irish culture. I suppose the discussions could have been separated from the tracks themselves (possibly included as bonus tracks). But I didn't mind it within the tracks themselves. Lots of albums include introductions and audience reactions (Yanni Live at Acropolis comes to mind).

I felt Devil's Bit Sessions had a more traditional-Irish sound than Hibernia. It's an interesting contrast between the two albums. Hibernia played like a movie soundtrack. It featured powerful orchestrations and sweeping melodies. Devil's Bit Sessions feels exactly like it was meant to: like family, gathered together, enjoying music and sharing each other's company. Both albums are distinct and enjoyable experiences.

On a minor technical note: as a perfectionist, I felt obliged to clean up a bit of the metadata in the downloaded tracks (track name formatting and a few of the track numbers). I doubt it would matter to anyone but a perfectionist like me. ;)

Outside of Celtic Woman, I don't listen to enough traditional Irish music to comment on this album relative to the other albums in the space. I suspect that fans of traditional irish music will enjoy it. Hopefully the album will be successful far beyond the loyal Celtic Woman fan base. However, I think Mairead has already achieved one of her most important objectives with this album and with Hibernia: to realize her dream.

Thank you Mairead, for letting us in to your family and sharing this personal experience with us. Thank you for your kindness and your boundless talent. Wherever your journey leads from here, I am and always will be proud to be one of your fans. <3

519
Mairead Nesbitt / Hibernia album in the charts
« on: April 18, 2018, 07:32:22 PM »
The Hibernia album had a huge debut!

#4 on the Billboard World Albums chart (1 spot ahead of Destiny and 2 spots behind Voices of Angels)

#9 on the Classical Crossover Album chart

#11 “hot shot debut” on the Classical Albums chart

Congrats to Mairead and thanks to all her supporters!

It didn't end up having quite the same staying power as Celtic Woman albums generally do, but very few albums are that successful. Celtic Woman has a powerful marketing machine and a well-established and loyal fan base. But that fan base doesn't always extend beyond group albums into the solo works of the leading performers. Part of the fan base still thinks Chloë and Lisa are part of the group, so that goes to show that there are different types of fans and different levels of attention to what the performers have been up to recently.

Here's how Hibernia did in the charts.


Hibernia Chart Performance



Billboard World Music Albums

http://www.billboard.com/charts/world-albums

Weeks on Chart:            (as of Jan, 28, 2017)

Week   of...         Chart Position

Dec 31, 2016      4            ... Voices of Angels #2, Hibernia #4, Destiny #5
Jan 07, 2017      7

Billboard Classical Albums

http://www.billboard.com/charts/classical-albums

Weeks on Chart:      2      (as of Jan 28, 2017)

Week   of...         Chart Position

Dec 31, 2016      11
Jan 07, 2017      15


Billboard Classical Crossover

Weeks on Chart:      2      (as of December 28, 2016)

Week   of...         Chart Position

Dec 31, 2016      9
Jan 07, 2017      9

520
Mairead Nesbitt / Hibernia album review (spoilers)
« on: April 18, 2018, 07:26:58 PM »
Review of Hibernia

Adapted from original post on December 20, 2016.



-- SPOILERS BELOW -- SPOILERS BELOW -- SPOILERS BELOW --

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Track-by-track

Hallowed Fire
- A nice slow song with supporting orchestration
- Mairead draws a considerable amount of feeling out of her violin

The First Sheaf
- Steady medium-pace song
- The orchestra seems to add an air of anticipation to Mairead's rolling melody
- A fun song overall

Becoming
- Has a tribal, world music feel
- An variety of accompanying instruments and sounds
- Maintains a faster pace than The First Sheaf
- Another fun song
- Like in The First Sheaf, the orchestra adds some tension beneath Mairead's fiddling at points during the song

Sean O Duibhir An Ghleanna
- A very pretty and emotional slow song
- Reminiscent of There Is No Night from Raining Up
- Mairead puts particularly sharp emphasis on some of the notes for effect

The Ballydesmond Polkas
- There's tap dancing ;)
- Good pace
- A bit less catchy a melody than some of the other ones, but fun nonetheless

Belles of Tipperary
- It will have you tapping your feet the whole time
- It's a complex tune, so humming along while you're tapping your feet might be difficult

Merrily Kiss The Quaker
- Catchy and fast-paced
- The melody and orchestration flow along smoothly
- The tap dancing contributes to the energy of the song

To Bring Them Home
- A slow and moving piece
- The vocals of tenor Nathan Pacheco add a different dimension

Captain H
- A good old swashbuckling type of song

Bovaglies Plaid
- A nice slow song
- Soothing orchestration
- Some parts reminded me of Shenandoah
- Mairead puts particularly sharp emphasis on some of the notes for effect

The Butterfly
- More similar to the arrangement from Raining Up than to the Celtic Woman arrangement
- However, while the Raining Up arrangement had almost a jazzy / disco feel, this new arrangement has a more classical one
- Some additional orchestration

There Is No Night
- Overwhelmingly beautiful ... one of the most lovely instrumental songs I've ever heard
- If possible, even better than the version on Raining Up
- The orchestration is soothing and compliments Mairead very well

The Dusk
- Starts as a rolling melody that transitions engagingly from major to minor keys
- There's a bridge in the middle of the song that's very reminiscent of the end titles in a movie soundtrack
- That transitions into suspenseful and compelling second half
- Definitely one of my favourite tracks on the album

The Dark
- Suspenseful slow-to-medium-paced track
- Also reminiscent of what one would find in an epic movie soundtrack
- Quite enjoyable

The Dawn
- Starts as a rolling melody that transitions from major to minor keys in a way that is very satisfying and beautiful
- The second half concludes the album in epic fashion

Some tracks had me jumping up and down and clapping along. Several tracks reduced me to tears they were so deeply moving. The last 4 tracks on the album are my favourites, beginning with the There Is No Night and culminating with the Dusk/Dark/Dawn trilogy.


Overall impressions:

This is an album is an impressive showcase of Mairead's skill across multiple styles of music.

The album plays very much like a movie soundtrack. The orchestration adds a measure of tension to the music. The orchestration in particular adds a touch of dischordance to the songs that gives the album more of an artsy/classical feel than Celtic Woman music. The album has more of a folk / world-music vibe than her Celtic Woman tracks, as one would expect.

The album offers a bit of everything and something for everyone: folk songs, polkas, slow songs, energetic songs, tap-dancing, even singing. Everything the heart desires. The album experiments with a rich variety of sounds and supporting instruments.

It's possible a general audience may find some songs less "consumable" than Mairead's catchy, pleasant melodies from Celtic Woman. Violin connoisseurs will no doubt get an extra level of appreciation from this album than would a member of the general audience. The level of enjoyment you get out of some of the songs on the album may depend on the relative weight you place on pure appreciation for her skill vs appreciation for the tunes themselves. But if you're seeking song variety and versatile/masterful violin playing, this album is for you.

Overall, I found the album quite enjoyable and I hope you enjoy it as well.

I suspect the songs will seem even more spectacular live on tour as Mairead tears up the stage! (fingers crossed this will happen one day)



Closing Thoughts:

The album has a tremendous amount of variety. There's a style and song for everyone, as though Máiréad is relating all her wonderful experiences travelling the world and echoing the people she's profoundly touched along the way.

Many moments had me clapping and cheering. Some were so deeply moving they had me fighting back tears. Sometimes, I experienced both those emotional states at once. ;) This album truly swept me away.

The last 4 songs on the album, starting with There Is No Night, were my absolute favorites. The blend of sweeping melodies and exhilarating tunes, supported by strong orchestral arrangements, were truly overwhelming.

I think my favorite was The Dawn. The first half of the song evoked for me a sense both of a bittersweet ending as well as a new beginning. Personally, I visualized the last piece on the album as Máiréad's farewell to Celtic Woman and The Dawn of this exciting new chapter in her career. It is one of the most beautiful and epic conclusions I have ever enjoyed.

Thank you Máiréad, for your wonderful album Hibernia.




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-- SPOILERS ABOVE -- SPOILERS ABOVE -- SPOILERS ABOVE --

521
Mairead Nesbitt / Tracks and Paths (DVD)
« on: April 18, 2018, 07:22:03 PM »
Tracks and Paths from Devil's Bit Sessions

Background:

Tracks and Paths from Devil's Bit Sessions (subtitled "excerpts from the album") is the DVD accompaniment to Mairead Nesbitt's "Devil's Bit Sessions" family album. The DVD documents the recording of the album and some of the related activities. The DVD also features some scenery that inspired the album, including the local mountain, the Devil's Bit.


Availability:

The DVD was originally exclusive to Mairead's PledgeMusic campaign for Devil's Bit Sessions. The DVD was also offered as a tip reward through one of Mairead's four StageIt shows in 2017. However, due to technical difficulties, the show never got broadcast on StageIt so the tip rewards didn't get processed. The DVD became available to the general public late in 2017, when Mairead made it available through her web site by popular request.


--- SPOILERS BELOW ---

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Packaging:

The DVD comes in a cardboard jacket with a slit on one edge. It's not enclosed in a jewel case, so it does tend to slide out of the jacket quite easily. Please use caution when holding the DVD jacket with the DVD inside, since if the edge with eh open slit is tilting downwards, the DVD may slide out of the jacket.

The DVD jacket itself looks similar to the Devil's Bit Session cover.

The DVD jacket was signed by Mairead!



Content

The DVD is 20 minutes in length and includes:
- Musical excerpts and some other footage from the recording of Devil's Bit
- Some local scenery
- Some of the activities surrounding the DVD recording and the associated family gathering
- Some interviews, including ones with Mairead and John Nesbitt
- A photo montage
- Overhead footage from drones

The things that are talked about during the interviews are things Mairead has already covered in her PledgeMusic campaign and social media, so there's not any earth shattering revelations. The strength of the DVD is that it compliments the feel of the album and helps to document that remarkable weekend with the Nesbitt family.

The video quality is pretty good. The audio for the voices on the interviews is relatively low (similar to the Devil's Bit Sessions album itself), but it's easy enough to crank up the volume a little so you can hear what's being said.



Overall Impression

I thought it was fairly well done. It's a fitting accompaniment for the album and would be a great addition to the collection of any serious Mairead Nesbitt fan.



Sounds Great! Where Do I Get It?

The DVD may be ordered through Mairead's web site:

https://www.maireadnesbittviolin.com/shop/


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--- SPOILERS ABOVE ---

522
Mairead Nesbitt / Celtic Violins by Máiréad Nesbitt Celtic Violinist
« on: April 18, 2018, 07:18:24 PM »
In 2016, Mairead Nesbitt announced she would be launching her own violin line.

Here's the post that started it all:
https://www.facebook.com/maireadnesbittcelticviolinist/posts/1744687952477146


The line was unveiled in February, 2017!

The violins Mairead chose for her line reflect the warm, sweet tone she prefers.

Here's some videos of Mairead explaining the violin models and also the bows she's using with each model.

Introduction to the Máiréad Nesbitt Celtic Violin Collection
* https://www.youtube.com/watch?v=mp98majEQ0Q


The Butterfly
* Student model.
* https://www.youtube.com/watch?v=_vg2_nc3UGM


Invasion
* https://www.youtube.com/watch?v=HGEAloQNmGs


Raining Up
* It has a warm, mellow tone, almost like a viola.
* Good for slow and fast-paced songs.
* https://www.youtube.com/watch?v=HEm9wYy1PAU


Hibernia
* One of the premium violins.
* This one is handcrafted.
* It has a sweet and powerful sound and looks gorgeous!
* The bow she's using with it is similar to one of the bows she uses herself.
* https://www.youtube.com/watch?v=aH3f8fCfsns


Celtic Dawn
* A high-end / premium model.
* She finds it very similar to her own violin.
* It has a warm, sweet tone.
* Good for slow and fast-paced songs.
* https://www.youtube.com/watch?v=D6xUxjwHHFI


Máiréad Nesbitt Viennese Elite Model
* This one is super-special!
* It's a Master Art copy of Máiréad Nesbitt’s pedigree Mathias Albani Violin!!!
* http://kolstein.com/mairead-nesbitt-viennese-elite-model-violin/


Additional Information:

Máiréad's new signature line features both pro & student standard 8/8 full size:
Source: https://twitter.com/MaireadNesbitt/status/752565827614937088

The line also includes handmade rosin from Samuel Kolstein & Son, Ltd.
Source: https://www.facebook.com/maireadnesbittcelticviolinist/?fref=ts



Now you can play like Mairead plays!!!

... or at least play violins like the ones Mairead plays ;)

523
HomeComing on Tour / Homecoming Tour: Favorite New Group Song
« on: April 15, 2018, 09:50:10 PM »
What's your favorite new group song of the Homecoming tour?
* Homeland
* Murphy's Ballroom of Romance
* Long Journey Home
* Going Home

524
HomeComing on Tour / Homecoming Tour: Favorite New Solo
« on: April 15, 2018, 09:43:36 PM »
What's your favorite new solo / arrangement of the Homecoming tour?
* May It Be (Eabha)
* Tara's Tunes (Tara)
* Nella Fantasia (Mairead)
* From a Distance (Susan)
* Wild Mountainside (Eabha)

525
HomeComing on Tour / My Homecoming Tour Experience
« on: April 14, 2018, 02:33:50 PM »
I went to two Celtic Woman: Homecoming shows on back to back nights this week!

Here are some of my notes from the shows.


The Merch:

I must say, the merchandise table in London was the most pitiful I've seen. There were a few T-shirts, programs, and the Homecoming CD/DVD. That was about it. No signed CDs from Anto, no mugs, shot glasses, bookmarks, or any of the other things they've been selling on this tour. I ended up getting a Homecoming tour program. They didn't have any bags and I didn't bring any, so I had to place the program face up on the floor in front of me during the show.

The Merch table in Detroit was more up to par. I got a signed CD from Anto and one of the two new mugs. I checked out the T-shirts, but although I liked one of the shades of green, they seemed kind of generic this year. Besides, I already have more T-shirts than I know what to do with.

I wasn't paying attention before, but I did this time: yes, the prices are different in Canada than the US. They're not at par.


The Great Photo Fiasco:

I've been to the venue in Detroit a few times before and they've always been pretty strictly enforced a "no use of cameras in the theatres" policy. This time, I checked both the website and the notice from the tour in advance and it quite clearly stated that there was no video or audio recording, but non-professional cameras were permitted during the show. There was a sign at the entrance to the venue stating the same. However, security at this venue is very strict and they were telling people no camera usage at all beyond the lobby. Security argued that there were no cameras for the safety of the performers. Well, I can totally appreciate the importance of their safety. But security's interpretation was wrong. So Tony had them check with Sett, who confirmed that non-professional, non-flash photography WAS permitted. Ultimately, we were allowed to take pictures.


Venues and Audiences:

In London, Ontario, the show was in a junior hockey arena. This is the first time I've seen Celtic Woman in an arena rather than a theatre. I have to say the sound quality was great!

In London, the lower bowl was mostly if not entirely full. There weren't a lot of people in the upper bowl, but I think there were enough people there for the show to be profitable.

In Detroit, the show was at the Fox Theatre. It is truly a specacular venue, especially the lobby, which looks more like a palace than a theatre. The venue is within a few blocks of where the Detroit Tigers (baseball), Detroit Lions (NFL), and Detroit Red Wings (hockey) play. Quite a convenient little downtown area they've constructed.

In Detroit, there were definitely more people than when the Destiny tour came to Detroit. The centre aisle was pretty well occupied, including the balcony. The wings were about half full.

Both audiences were slightly more enthusastic than for previous Celtic Woman shows I've been to in the area. They clapped along when appropriate. I have to say I was REALLY surprised when I was one of the only people giving standing ovations for some of the brilliant solos. The audience reserved the standing ovations for the last few songs.

Tara got the biggest ovation of the girls by a noticeable amount. Anto and the tap dancer probably got bigger ovations than the girls. I mean, they were both impressive, but I never really quite understood why the girls themselves don't get a more thunderous ovations over here. Fans of the more traditional aspects of celtic music, I suppose or perhaps fans that haven't gotten over the departure of their favourite singers from years ago.

I overheard some pretty great comments from satisfied people as I was leaving the venues after the shows. I was getting a pretty positive vibe from those in attendance, so I think that bodes well for the tour continuing.

Side-note: The person I was sitting next to in Detroit was a massive Alex Sharpe and Lynn Hilary fan. We were both sad we couldn't see CaraNua in Utah in January and are both hoping there's another show later this year or early next year.



Meet and Greet:

There was no Meet and Greet offered for London (or Toronto), but there was for Detroit. I have to say, Detroit has some of the most expensive Meet and Greet prices of any PBS station I know of.

We were supposed to gather at the merchandise table 40 minutes before the start of the show, but Tony and I didn't see anyone else standing there getting close to 6:50. Someone else in our party asked what was going on and one of the event staff then led us over to the right wall of the theatre to wait for the Meet and Greet. For a while, we were the only two people in line. I'm not sure what the confusion was, but I guess there was a great deal of trouble tracking down everyone for the Meet and Greet. The actual Meet and Greet didn't start until about 20 minutes before the beginning of the show. With 18 people at the Meet and Greet, that wasn't leaving a lot of time.

Tony and I got to the back of the line just in case we needed a few extra seconds so we wouldn't take up anyone else's time in line.

This one was far more rushed than the previous Celtic Woman Meet and Greet I went to. It was basically in and out of the room in under 30 seconds for the people ahead of me.

I left my gifts for the girls along the wall to save a few seconds. I got them a postcard to thank them for coming to Canada, I wrote each of them separate letters with a story of how much they mean to me and a special little gift related to each story.

As usual, I had some well-rehearsed things I wanted to say to the girls. As usual, I ended up saying about 30% of what I planned to. I had planned things based on the amount of time I had last time. This one being far more rushed, I started trying to compress what I wanted to say on the fly. I got out some of the most important things, but the delivery would have been much smoother had I had a bit more time.

This time, I wanted to say something to each of the girls about a special song I had heard them perform the night before in London.

First in line was Susan. Long before Celtic Woman, From a Distance was once my favourite song. I've been wanting her to sing it for a long time. I requested it during "17 weeks 17 songs" and a few times when Celtic Woman has asked for song suggestions. I guess someone remembered. I told Susan it sounded very beautiful when she sang it.

Next was Eabha. Over 10 years ago, May It Be was the very first Celtic Woman song I heard in it's entirety. I told Eabha I loved the way she performed it and thanked her for bringing new life to a song that changed mine.

Mairead was third in line. I was getting pretty stressed out from having to rush things and was getting worried I would forget something. But I managed to tell her that Nella Fantasia was one of the songs that made me fall in love with Celtic Woman and that her version was breathtaking.

Tara was last and like last time, for some inexplicable reason, I forgot was I was going to say and just hugged her repeatedly while I was trying to remember what to say. LOL! Finally, I managed to get out that she played a lot of instruments well, her voice was gorgeous, but what impressed me most was no matter what was going on in my life or anywhere Across the World, she always found a way to make me smile.

I managed to hold the tears back again (barely) for the photo. The room was pretty well lit. This time, I was wearhing a tall had with shamrocks on it, as well as pins for each of the girls' fan forums. The hat was apparently sitting a bit too far back at the time, so you can't see the pins in the photo, but I thought the picture still turned out pretty well.

As I was walking out, I turned and said one more thing to the girls: that they were the voices I longed to hear and that when they performed together, there was no sound more beautiful. <3

The girls were really sweet as always and their warm smiles warmed my heart. I do wish there would have be a bit more time, especially given what this one, but despite my sloppy and hurried delivery, I'm pretty sure the girls could tell I care about them very much. <3


The Stage:

The stage was backed by curtains and there was a video screen behind the curtains. The stage had more dressing than it did for Homecoming. The stage design was very similar to Voices of Angels, but it seemed to me the stage was better decorated this time. The rises of the stage were covered with a material that looked a bit like granite. I thought the lighting was great.


The Show:

I had front row seats for both shows. In London, I was far stage left. For Detroit, I was stage right. It was a pretty good view, although it did make it more challenging to get pictures from such a steep angle.

There was quite a bit of overlap with the Voices of Angels set list. I don't mind them doing old favourites, but I was a bit surprised there were so many arrangements they had just performed on the previous tour.

The new songs were AMAZING!!!

Eabha's May It Be was hauntingly beautiful. A lot of former Celtic Woman performers have done a great job with this one, but this is my favourite.

Eabha's Wild Mountainside was also fantastic. I've had this one stuck in my head for 2 days already. :D

Susan did an outstanding job with From a Distance. She sang it with a lot of feeling an incredible amount of power. Her voice is perfect for this song and arrangement. It's definitely my favourite Susan song now. I really hope they record this one! I'm really not sure how this didn't get a full house standing ovation. Politics maybe? It certainly deserved more than average appreciation.

Mairead's Nella Fantasia is very different than Chloë's, but oh my GOODNESS it is amazing! It's arranged in a way I would describe as a hybrid of classical and pop. The combination of her soothing, beautiful pop voice and her spectacular opera voice is breathtaking. She sings this with a tremendous amount of feeling. Like Susan's masterpiece, I'm very surprised this didn't result in a full-house standing ovation.

The new group songs were wonderful! Homeland is fun and catchy. The new ceili song, Murphy's Ballroom of Romance reminded me of the melody of Spanish Lady. It was lots of fun too.

Going Home was not the same song that CaraNua / Chloë performed. It's just the same title. This is the one written by Josh Osborne and Tom Douglas, performed by Mary Fahl in the movie Gods and Generals. It's a great pop song and the harmony was very satisfying. There are a LOT of songs in the second half that made me tear up they were so beautiful. This one really hit me hard for some reason. I loved it so much! <3

Similarly, The Long Journey Home (by Paddy Moloney of The Chieftains and Elvis Costello) was was extermely satisfying. Like My Land, this song had a surprisingly profound impact on me. The girls performed it beautifully, but maybe I could sense the emotions of the girls from the front row or something, because this one had me bawling by the end.

Until a YouTube video pops up from the Homecoming Tour, here's Tommy Flemming performing The Long Journey Home (you may remember him from Orla's My Land DVD):
https://www.youtube.com/watch?v=zOF6zC5Bpr4

This show seemed to have a lot more base behind it than Voices of Angels did. It sounded SO good! I could swear they added a lot of base to Amazing Grace and You Raise Me Up and I think they sounded better on tour than they did on the albums or the DVD.

This show had a lot of high energy numbers. The choreography was outstanding. The girls really moved around the stage and they all showed off their dance moves, even Eabha! Holy moly they're all such great dancers! I was paying attention to their footwork during the second show, especially during Murphy's Ballroom of Romance and it was really impressive!

Speaking of dancing: yes, Susan performed She Moved Thru the Fair barefoot. From the front row, I could see her toenail polish. ;)


Set List

Act 1

1. Homeland
2. Mo Ghile Mear
3. My Heart Will Go On
4. She Moved Thru The Fair
5. Ard Ui Chuain / Dulaman
6. Sadhbh Ni Bhruinneallaigh
7. May It Be
8. Tara's Tunes (I especially liked the third one)
9. Danny Boy
10. Murphy's Ballroom of Romance

Act 2:

1. You Raise Me Up
2. Long Journey Home
3. For the Love of a Princess
4. Nella Fantasia
5. Walk Beside Me
6. Three's A Crowd
7. From A Distance
8. Wild Mountainside
9. Time to Say Goodbye
10. Going Home
11. The Kesh Inn
12. Parting Glass
13. Playoff



The Things They Do For Us:

As we likely all know by now, the girls have been through some rough times recently. Susan lost her aunt. Tara lost her uncle within a day of Dave Kavanagh passing away and unlike Susan, Tara didn't get time off from the tour to grieve. I could tell especially during the first show that Tara was really fighting it on stage. She was trying to put on a brave smile for her fans, but she was definitely hurting inside. As talented as they are, it's just as impressive that they can park all the things going on in their own lives and around the world and be what we need them to be.


Overall:

This just might be the best show (Celtic Woman or otherwise) I have ever seen.
If you have a chance to see this tour, see it, especially if you weren't able to see the Voices of Angels tour. Like Voices of Angels there was a lot of variety. This one seemed to have even more energy, more feeling, deeper base, and stronger percussion. If you're on the fence about any of the new girls, this show has the best chance of winning over your heart. There's no other experience quite as fulfilling as Celtic Woman and no other group so wonderful. <3

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